Archives for posts with tag: Fantasy Romance

This month I had been planning to recommend Seth Dickinson’s “The Traitor” – a brilliant but exceedingly grim novel about a woman prepared to do anything to free her country from an oppressive empire. However I do try to keep this blog a politics-free zone and I suspect that all the terrible and tragic things which have been happening lately have left most of us wanting comfort reads. So I’m going for something lighter – “Spindle” by W.R.Gingell. She is an Australian Indie Author who likes to “rewrite Fairy Tales with a twist or two”.  “Spindle” is Book 1 of “The Two Monarchies Sequence” and you can get it as a Kindle ebook or as a paperback.

In a castle surrounded by a hedge of thorns a sleeping beauty is woken by a kiss. This sounds like the perfect happy ending but it is just the beginning of “Spindle”. Nothing is quite what it seems. Polyhymnia (Poly) has been woken by a young-looking man called Luck who is a powerful enchanter rather than a prince. Luck has been sent by the Head of the Wizard Council to rescue the lost Princess of Civet who has been in an enchanted sleep for over 300 years. Civet is now a Republic whose political parties are dominated by wizards but there are factions who want to restore the monarchy. That could be a problem because though Poly can’t remember how she she came to be lying in the royal bedchamber in a splendid dress, she is sure that she isn’t the princess.

Poly was a reluctant lady in waiting to the actual very unpleasant princess. Everyone she knew must now be dead but the wizard who is paying Luck to bring her to the capital has the same name as a man who features in some of her worst memories. Poly doesn’t know if she can trust the infuriatingly vague Luck and she daren’t reveal her true identity. To make matters worse, the curse on her hasn’t been fully broken so she keeps falling asleep and dreaming. Luck claims that Poly is full of strange magic but she insists that, inspite of coming from a magical family, she never had any powers of her own. As the enchanted castle crumbles, Poly is forced to leave with nothing but three books saved from her mother’s library and a small wooden spindle which surprises her every time she finds it in her hand.

The trip to the capital doesn’t go as planned and Luck blames Poly for making his Shift spells go wrong. They encounter a fictional hermit and Poly rescues a “snarl of magic” called Onepiece who is sometimes a puppy and sometimes a small boy.  She also discovers the bizarre fate of the royal family she once knew and finds out something extraordinary about her long-lost parents. Someone is setting lethal magical traps for Luck and Poly. When they take refuge in Luck’s home village, Poly gets to know the elusive enchanter better and learns about modern life and romance. All too soon threatening events force them to continue their journey to the capital where old and new enemies are waiting for Poly…

I’m grateful to Intisar Khanani for recommending Gingell’s consistently enjoyable work.  Both authors are inspired by traditional Fairy Tales but use them in innovative ways (I reviewed “Thorn”, Khanani’s version of “The Goose Girl” in March 2015).  I’ve read other novels based on “Sleeping Beauty”, such as Robin McKinley’s charming “Spindle’s End”, but this one is the most original. Instead of using a standard medieval or an updated modern setting, Gingell has set her story in an invented world lit by three suns known as the Triad.  In the oldest versions of “Sleeping Beauty” the princess’s problems are only made worse by the arrival of her prince since she wakes up to find that she’s given birth to twins and earned the murderous emnity of the evil sorceress who is the prince’s wife (for the gory details see the chapter on this story in Iona and Peter Opie’s “The Classic Fairy Tales”). Gingell is clearly familiar with these versions and picks out a few key elements to reuse in her own fashion. She very reasonably makes Poly highly suspicious of the man who has forcibly kissed her awake, and gives her an unexpected child – the cursed dog/boy Onepiece – to look after. The touching maternal relationship which Poly develops with Onepiece is one of the most attractive things in the novel.

I knew that I was going to enjoy “Spindle” when I read Gingell’s gracious acknowledgement of her debt to the work of one of own my favourite Fantasy authors – the late Diana Wynne Jones. Gingell writes on the dedication page that she “would have liked to bask in that sunshine a little longer.” I feel the same but reading “Spindle” was almost as good as discovering a new Wynne Jones novel. Gingell shares Wynne Jones’ talents for devising intriguing plots with an escalating sequence of startling twists (see my comments on `the Wynne Jones Twist’ in my November 2012 post on “The Lives of Christopher Chant”) and for creating distinctive forms of magic for her characters to use. Luck has magic that “was just a little bit too golden and strong and abundant to make him a mere wizard”. Truth be told, Luck is rather similar to Wynne Jones’ famous wizard Howl from “Howl’s Moving Castle” and “Castle in the Air” but I still found him highly entertaining. This absent-minded enchanter can usually make people do what he wants but he meets his match in Poly, who turns out to be capable of using the much rarer powers of antimagic and unmagic. She has an arm that can unmake spells and her continuously growing magical hair is almost a character in itself. As Luck says, “Everything about Poly is beautiful and impossible.”

Like many of the heroes or heroines of Diana Wynne Jones’ novels, Poly is forced to pretend to be someone else while she struggles to work out what is going on and what kind of person she really is. Once she’s awoken, shy Poly has to learn to engage with the world in a way that she never did in her previous life. It’s a pleasure to watch her come out of her shell and into her powers. It is also nice to encounter a Fantasy heroine who wears glasses. The sparky relationship between Poly and Luck is a constant delight. She starts by kneeing her “rescuer” in the stomach and he calls her “a horribly violent princess.” Poly objects to Luck invading her personal space (which he does) and accuses him of never listening to what anybody says but she eventually realizes that he always takes notice of the things which are truly important. I finished the book wanting to see more of this quarrelsome couple but they don’t appear in “Masque”, the entertaining  second volume of “The Two Monarchies Sequence”.  This takes place some years later and features two of the minor characters from “Spindle”.  “Wolfskin”, another book by Gingell set in the same world, has a curse-breaking theme in common with “Masque” and “Spindle”.  If you enjoy forest settings and stories about good witches, you might want to try “Wolfskin” too. Until next time…

Geraldine

http://www.chalcedon.demon.co.uk

 

 

 

 

 

 

 

 

 

 

 

 

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Do I only recommend novels which are perfect in every way? No. If that were my rule, I would never have managed to recommend over a hundred books on Fantasy Reads.  My choice this week – `The Paper Magician’ by Charlie N. Holmberg – has plenty of flaws but I was able to forgive most of them. This novel, which came out in 2014, is the first in `The Paper Magician Trilogy. The second and third volumes, `The Glass Magician’ and `The Master Magician’, have already been published. All three are available in paperback (with very stylish covers) or as ebooks.

`The Paper Magician’ is set in a version of Edwardian England (though not a version most English people will recognize). Ceony Twill is a girl from a poor family who aspires to be a magician. Thanks to an anonymous benefactor, she is able to attend the Tagis Praff School for the Magically Inclined, where she studies the theory of enchanting various types of manmade materials. When Ceony graduates top of her class, she looks forward to becoming an apprentice Smelter – a magician who deals with metals. Then she is informed that England is short of Folders – magicians who work with paper. So Ceony is to be apprenticed to Emery Thane, a Paper Magician who lives on the outskirts of London. Ceony regards Folding as outdated and useless but once she is formally `bonded’ to paper, there is no turning back.

Ceony is unhappy in her new home and uncertain what to make of her eccentric Master and his mysterious disappearances. She only warms to the Paper Magician after she discovers an unexpected link between them and he creates an animated paper dog to replace the pet she was forced to leave behind. Ceony soon becomes interested in the art of Folding since it can do many more things than she imagined, such as foretelling the future. A spell suggests that a woman called Lira will be coming back into Emery Thane’s life. When she does, the consequences are horrific because Lira is an Excisionist – someone who practises `the forbidden magic that uses human flesh as a conduit’. Ceony is forced to use her new found skills to save her Master and must undertake a perilous journey through the heart of a magician.

Holmberg clearly has a strong visual imagination but she (this particular Charlie is female) is not an elegant writer. In fact `The Paper Magician’ is in dire need of a sterner editor who might have sorted out some of the misused words and tenses. Historical and geographical research aren’t Holmberg’s strong points either, so I’m not sure why she chose to set this novel in a very specific time and place. Nearly everything about the society in which Ceony lives seems more American than English – particularly the school system. The costumes her characters wear aren’t consistently Edwardian and Big Ben is about the only recognizable London landmark (though Holmberg has some very strange ideas about what goes on in Parliament Square). I do hope that all of this is deliberate but I have a sneaking fear that it isn’t. Quite early on, I decided that the only way I could enjoy `The Paper Magician’ was to forget everything I know about Edwardian England and regard this novel as set in an entirely invented Steampunk-style world.

If you can do the same, there are pleasures on offer. Emery Thane’s cottage is one of the most charming magician’s homes in Fantasy fiction. Behind the illusion of a gloomy mansion is a garden full of red, violet and yellow paper tulips which close their petals when a cloud obscures the sun. Inside, a paper skeleton serves as a butler, hundreds of paper birds dangle from the dining room ceiling and everywhere there are piles of brightly coloured paper for using in spells. The `Folding’ magic in this book is brilliantly worked out. Emery tells his apprentice that it requires ` a keen eye and deft hands’. As someone with no physical dexterity whatever, origami (the Japanese art of folding paper into complex shapes) has always seemed magical to me. Holmberg takes it a step further and has her Paper Magicians fold paper to create birds that can act as messengers and spies, snowflakes to keep things cool, paper-chains that can bind or protect, a glider that can carry a person, and a loyal canine companion who can be packed away until needed. This form of magic is convincing because it has strict rules and limitations. Anything written on paper can be brought to life but paper is vulnerable to water and fire. Throughout the trilogy, Holmberg comes up with ever more inventive ways to use paper, and other man-made materials such as glass and rubber, to create wonders and fight evil.

In my last post (on Naomi Novik’s `Uprooted’), I wrote that `a book which appears for the first few chapters to be about a young woman’s magical and romantic education, suddenly develops into a violent and disturbing story.’  Exactly the same words can be used about `The Paper Magician’.  Until a third of the way through, the book is a whimsical love story about two people who are refreshingly different from the intense couples found in most Paranormal or Gothic Romances. Emery Thane may have dark hair and a tragic past but he’s no Mr Rochester. He’s gentle, good-humoured, allergic to animal-hair and fond of racing paper frogs against each other. Orange-haired Ceony is an ambitious loner who starts the book in a mighty sulk and spends her spare time snooping on Emery and cooking comfort food. Just as this pair are getting to know and like each other, the plot takes a dark turn with the sudden introduction of heart-stealing blood magicians. `The Paper Magician’ becomes a race-against-time thriller with some very gory scenes.

Personally, I wish that Holmberg had involved her trio of leading characters – Emery, Ceony and Fennel, the cute paper dog – in a gentler, more frivolous adventure. It would have been a better fit with the cheery tone of the early chapters. However, I must  praise Holmberg for doing something really different with the folktale motif of the search for the magician’s heart. Magicians traditionally store their power in detachable hearts. In this story, Ceony has to find the way to a man’s heart in an alarmingly literal way. In the four chambers of Emery’s heart she sees his joys, sorrows, hopes and fears, and can only progress when she understands them. She’s partly able to do this because she has her own guilty secrets and forlorn hopes. It is easy to pick holes in the logic of this part of the plot but writing Fantasy gives Holmberg the freedom to explore character in ways that more realistic novels can’t.  I finished the book wanting to know what happened next to Ceony and Emery. `The Paper Magician’ won’t please everyone but it is worth reading for the Folding magic alone. Until next time….

Geraldine

http://www.chalcedon.demon.co.uk